Join us for our next webinar, led by C.E. Gatchalian!

Every playwright has a play that won’t let them go — a piece that lives somewhere between pride and regret, memory and possibility. This workshop invites participants to re-engage with an earlier work, not necessarily to rewrite it, but to listen to it: to see what it reveals about who they were, what they believed, and how their artistic voice has evolved.

This webinar is free for PGC members and $24.00 for non-members. ASL provided.

Payment for non-members can be made HERE. *Non-members: Please complete this step prior to registering*

All attendees must register HERE.

About C.E. Gatchalian:

Born and raised on the unceded territories of the Musqueam, Squamish and Tseil-Waututh peoples (colonially known as “Vancouver”), now based primarily in Tkaronto (“Toronto”), C.E. Gatchalian (he/him/his) is a Filipino diasporic queer author, editor, playwright, dramaturge, teacher and consultant of Tagalog, Ilocano, and Spanish ancestry. The author of six books and co-editor of three anthologies, he was the 2013 recipient of the Dayne Ogilvie Prize, is a two-time Jessie Richardson Theatre Award recipient, and is a three-time Lambda Literary Award finalist. His plays, including Falling in Time and People Like Vince, have been produced nationally and internationally, as well as on radio and television. Formerly Artistic Producer of the frank theatre company in Vancouver, he is currently Community Engagement Producer for CultureBrew.Art, a digital database and community-building platform for Indigenous and racialized artists. His memoir, Double Melancholy: Art, Beauty and the Making of a Brown Queer Man, was published in 2019 by Arsenal Pulp Press, and he is co-editor of the recently published Magdaragat: An Anthology of Filipino-Canadian Writing, published by Cormorant Books. In 2022 he was one of the recipients of the one-time only Lieutenant Governor of British Columbia’s Arts & Music Awards for his contribution to the arts in BC.

IG: @ce_gatchalian